Warli Paintings
Warli is
the name of the largest tribe found at the outskirts of Mumbai,
Maharashtra The term 'warli' has its etymological roots in 'warla' meaning a
piece of land or field. There is a belief among the historians that the
tradition of Warli dates back to the Age between 2,500 BC and 3,000 BC. This
has since moved across the territories and borders and has now become a
precious possession of several art lovers and collectors. The Warlis are mainly
a tribe dependant on agriculture and they live in thatched mud-huts, which are
built is such a way that they all encircle a central cell. The houses of Warlis
are decorated with a vocabulary of patterns. This practice encouraged to what
it is presently called the Warli Paintings. Warli paintings largely demonstrate
the basic components of life which are the primary themes or basis of any
tribe. Warli art holds a special characteristic of exhibiting the humble life
led by the Warli tribe.
Symbolism in Warli Paintings
Birds,
trees, women and men get together to form a composite whole in the paintings of
the tribe and the Warli Paintings among them form the happiest celebration of
the concerned philosophy. Even spiral formations of men and women and
concentric circular designs in Warli Paintings are symbolic of the circle of
life. There are several paintings which look very simple but are symbolic. The
balance and harmony presented in these paintings is thought to symbolize the
balance and harmony of the universe. Dissimilar to other art forms of tribes,
the Warli Paintings do not take the help of religious images, thus, making the
paintings more secular in nature.
The most
frequent theme of Warli paintings is marriage. Several paintings portray the
marriage god called Palghat, attended by a horse and the groom and the bride.
They consider these paintings sacred. Men and women dancing in circles, during
various celebrations, is another theme typical to the Warli Paintings. Fauna
and flora are also presented in these paintings. In recent times, these
paintings also include a few modern elements like bicycles or transistors
tucked in corners of the paintings.
The
cracked village walls of Warli have been decorated with paintings for centuries
and still today they act as the most prominent decoration of a majority of such
houses. Great epics or mythology are not narrated in the Warli paintings. Warli
paintings on paper have now become very famous and have their markets all over
India. Today small paintings are done on clothes but it looks best on walls.
Painted on mud, surface based on charcoal along with rice paste in order to get
the white colour the Warli paintings deal with themes which speak about the
social activities and lifestyle of the Warlis. The relaxed rhythmic movement
suggested by each of the paintings gives life to it.
Certain
basic Warli Paintings portray some rudimentary graphic vocabulary: a triangle,
a circle and a square. The paintings are mainly monosyllabic. The triangles and
circle are on the footprints from their observation of nature; the circle
represents moon and sun, and triangle derived from trees and mountains. Square
obeys different logic. The central idea of each ritual painting is the square
which is known as "Chauk" or "chaukat", mostly of two
types: Lagnachauk and Devchauk.
Male gods
take unusual shapes among the Warli paintings and are related to spirits which
have taken human shapes. The central design in these ritual paintings is
surrounded by scenes portraying fishing, hunting and farming, festivals and
dances, trees and animals.
The bodies
of humans are mainly represented by two triangles joined at the tip; the upper
triangle represents the trunk and the lower triangle the pelvis. Their unstable
balance symbolizes the stability of the universe, and of the couple, and has
the sensible and humorous advantage of animating the bodies.
In Warli
paintings it is rare to see a straight line. A series of dots and dashes make
one line. The artists have recently started to draw straight lines in their
paintings. These days, even men have taken to painting and they are often done
on paper incorporating traditional decorative Warli motifs with modern elements
such as the bicycle, etc. Warli paintings on paper have become very popular and
are now sold all over India. Today, small paintings are done on cloth and paper
but they look best on the walls or in the form of huge murals that bring out
the vast and magical world of the Warlis. For the Warlis, tradition is still
adhered to but at the same time new ideas have been allowed to seep in which
helps them face new challenges from the market.
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